Poems in Progress: Winter: A Measure of Things

They say that coldness isn’t a thing–just
An absence of energy–but winter
Seems a thing, and it makes me think absence
Is more tangible than we imagine.
The lack of light and motion leaves one listless,
Hunkered down, in between hibernation
And emptiness, but still feeling the lack
So that that emotion becomes the thing.

The snow even seems to stand still as it falls.
The snow is real. On the ground a layer
Forms, inches, proving that the seeming void
Does not hold each flake in constant stillness.
Then it will start to melt, as it always does,
And the temperature will again rise.

Poems in Progress: A Modern Funeral

It didn’t even have the courtesy
To rain, and a lack of humidity
Left the sky crystal clear: a real beach day.
Gathered on a grass mound was a handful
Of people who stood uncomfortably,
Not really curious–fearful, perhaps,
About what might come next. Stated plainly
In the news that morning, most passed over,
But there had been arguments in the years
Preceding. Things were going to change,
That was agreed, but whether for the worse
Or not drove the debate. It was the end,
Some proclaimed. Good riddance, argued others.
Most didn’t understand what the big deal
Was and just went about their business.
The small group moved closer to the concrete
Slab. “Abstraction” and the date was all it said. 

It

It stopped working in the winter; panic
spread quickly, and then the first person died.
Panic became hysteria, an uproar
for answers, but we were so used to it
that we forgot how it worked. There was talk
of replacements, rumors of hope, wasted
attempts at a fix, but by winter's end
twelve were lost, and the next winter was worse.

The number of things we relied on it
for kept getting larger, so did the death
count. We stopped keeping track after forty.
Winters seemed to roll right into winters;
the population dwindled; our worry
shifted away from it being broken;
the focus evolved to living without
it. And that's around when the turn began.

The spark came as if to us all at once:
something must have done what it did before
there was it. And so we got to work
on finding the new routes to the old ways.
It wasn't immediate, and winter
seemed endless, but the death toll went back down
to forty in time, and soon enough twelve.
There were much less of us, that may have helped,
because the need for it seemed to lessen--
but then it was spring again. Time to think
about such things was left in the past with
it. Now, we work together for what we need.
Now, we hardly even think about it.

Poems in Progress: Friends from Your Twenties

Sometimes, even when sober, a rush would
Run through us, and, before we knew who did
It first, we were all diving in the mud
Between the dorm and dining hall—throwing
Mud, raising arms toward the sky and letting
The rain drip down our face, sliding across
The seemingly vast expanse of life.

And then in community showers we’d
Wash ourselves as clean as we could before
Hopping into someone’s car and heading
West off over the rolling hills onto
Some new adventure.

Often, we would end
Up drinking again in some dorm room when
We got back. Stories would be told about
Who had done what, and love would rile us up
Into pairs;

But there were the good nights too:
Singing group songs at the top of our lungs,
Holding each other together in one
Giant circle, dancing off into early
Morning moonlight to watch the sunrise.

Sometimes I miss my friends from my twenties;
Sometimes I miss the uninhibited
Abandon that comes with not knowing
Yourself very much but knowing a group
Of people even more; sometimes I dream
About sunrises…

Poems in Progress: Metaphors All the Way Down

The serpent, slipping through the Garden, Eve
Behind him, heading toward the forbidden
Fruit, a pomegranate, historians say,
But the apple we all know. What knowledge
Did Eve truly unlock with that first bite?

Was Democritus inspired by her?
Did he see into the delicious juices
Dripping down her chin and hypothesize
The atom? And Dalton, did he hear her
Story and wonder what it was made of?
His image, which is not actually
An atom–can we ever see one?--
Helped us understand a little bit more.

Before both, some Sumerian sitting,
Or Egyptian eating an apple, noticed
That two apples next to two more apples
Equaled four apples. Then we could share our
Harvest, or sell it, but certain dimensions
Were always missing.

So the serpent came…
To remind us to bite in? To remind
Us to taste? To remind us of life beyond
Two plus two?

And now, what do we think when
We ask each other if we’d like an apple?
Some may see atoms, some may count, but red
Concerns me most right now. Which red do you
Think?

The Red Delicious mealiness from
Elementary school lunch memories? Or
The lighter red fading to hints of green,
Yellows even–the Macintosh enters
The produce scene. Or full green Granny Smiths
Sitting on my grandmother’s counter waiting
To become a pie. Or local orchards’
Early October Jonagold, picking reds
In a variety of colors: Gala,
Empire, Macoun, Fuji, Honeycrisp.

When Eve picked that fruit, an apple now, it
Did not have a name yet and now it has
Many, each lending itself to different
Experience. When she bit into that
Apple, maybe the knowledge she unlocked
Wasn’t as simple as two words. Maybe
She opened up language to give us all
A more precise sense of what we will never know.

Poems in Progress: Poets, Like Breweries

Imagine: poets, like breweries, popping
Up across this great land. Every town will
Have two, three, however many needed
To quench the public’s thirst for metaphor.

The poets, our word masters, will mix words
Like water and malt into a rough draft
wort waiting to be further crafted by
Separating the slowly liquifying
Words into a flowing verse.

Then the bard will
Boil into his bubbly creation
The beautifying elements: symbols,
Imagery, and of course alliteration,
Adding the ample hoppyness listeners
Love to explore.

Last, he’ll let the ideas
Ferment as the natural yeasts of time
Allow them to cohere into something
More than what they are made of.

And every
Friday and Saturday people will gather
To imbibe the creations, reaching
a type of intoxication that leaves
You hungover in a way that truly
Reshapes experience and the mind.

Poems in Progress: Morning Coffee (after 40)

Like half and half swirling into coffee,
Often the most chaotic part of life
Occurs in the middle.

The initial splash
Is always exciting—wondering how much
There will be—watching the tiny explosions
As white impacts black and droplets of both
Fly into the air—but things are still simple
Enough.

The end has its clear benefits:
A consistent dark brown spread everywhere
In thermal balance: a settling down
Which lends itself to slowly sipping time:
But there is also a certain boredom—
Beauty too—when entropy wins out.

All the really big things happen in the
Middle, when the swirls are at their strongest.
Things are hard to distinguish; uncertainty
Reigns for a moment; confusion rules the day;
But there is something nuanced about the
Immeasurable—something gained from chaos—
Something worth the trouble to figure out.

The climax: the peak: the time when, perhaps,
Our experience is closest to true
Versions of whatever reality is.

Poems in Progress: Joan and Joni

Joan and Joni

Joan and Joni floated ethereally
Above me most of my life, just like poems
I never took the time to fathom, or 
Thoughts that left my brain before memory
Had a chance to collect them, or pieces
Of art only my eyes could absorb, but
The rest of me, both conscious and not, missed
Everything beyond the paint and colors.

Whether it’s me or my culture, something
More sophisticated has overtaken
Me as of late, and both Joan and Joni
Sing to me in their own ways, their own voice,
Still ethereal, but suddenly sounding
Like a rainstorm while sitting underneath
A porch, a snowstorm while by the fire.

Joan’s prose, never slouching themselves, which left
Too much to my young imagination,
Now become crystal clear in their cloudiness:
The hippies are idiots; they’re kids, they’re hard
To find. The other Joan is aloof, void,
Empty, with a complex past, she’s still trying.
And those winds, wild, intoxicating, like
A younger version of me, we don’t get it
But that’s ok. We’re not supposed to.

And Joni’s songs, beyond blue, which left
Me confused because I couldn’t sing along,
Now lift me with chords of ambiguity,
And leave me wandering through uncertainty
Wondering where her voice will take me next.
It seems better here, harder, but more aware
Of the subtle details that entail 
This challenge which I youngly thought just
Needed an answer to be hammered out.

Whether it’s me or my culture, something
More sophisticated has overtaken
Me as I age. These women get it:
There’s nothing to get. While nothing’s easier–
Harder probably if anything–
It’s nice knowing that others have lived
Without resolution for far longer than me.

-Jeff

On Reading Nonfiction (and Writing)

In the corner of my family room sits a Poang armchair, really a wooden frame of an almost reclining chair one would expect to find at IKEA, but, like many of their products, it’s oddly comfortable for under $100. It is what might be called functional, and its major function has become my spot for reading nonfiction, my current addiction. Nonfiction may seem like an odd thing to be obsessed with, but sitting in that Poang drinking a cup of coffee and reading nonfiction brings me endless gratification. I think it’s part of my compulsion to understand the full history of humanity starting from Mesopotamia (or even earlier) and leading to today, and that’s a completely sincere statement. At some point I realized that every book I read was influenced by the books that came before it, and I wanted to follow that line all the way back to the beginning. That story, leading back to Gilgamesh and even the cave paintings before it, became a large part of my beautiful illusion. 

Underneath the front open frame of the chair my stack of nonfiction books makes its home. My wife probably looks at that pile and sees disorder–things that need to be put away–but the collection has a method. The books are ordered into three different categories, the first of which is the big history or big idea book. These tend to be tomes looking at the question about how we got where we are, including titles like 1491, Gun Germs and Steel, and the book I’m currently reading, Scientific Culture and the Making of the Industrial West, which is actually only about 200 pages. Still, those 200 pages are pretty dense and filled with history and footnotes, like the other books in this category, but for the past few years I’ve been reading through them like they were beach reads (sometimes I even leave my Poang and read them on the beach). Each of them adds a new, complex layer to the story, which only makes me want to read more and more–realizing I cannot learn everything, but trying to embrace the complexity.

The second category becomes just a slightly more specific version of the first: books on American history. I just recently read autobiographies on most of the major founding fathers, including the one made famous by a musical, and while the topic may be out of vogue outside of Broadway and the books sometimes denser than the previous category, the intricacies and ambiguities of history make them page turners for me. The perfect example comes from two different books discussing the same event, when Sally Hemmings went to Europe to care for Thomas Jefferson’s children. In one telling, Hemmings is extraordinarily attractive and is almost abducted by the captain of the boat she is brought over on because of her beauty. In another telling she is judged too young (14-years-old) and inadequate for her post by Abigail Adams, who almost sends her packing back to America before she even gets to Jefferson. I don’t know why, but the incompleteness of two perfectly different interpretations actually makes my hair stand on end.

Last, only on this list, is the neuroscience book, a category I’ve been playing around with for at least a decade. As complex as our history is, our brains, the things that make, write, and examine that history, seem to be endlessly more complex. When I first started looking into the subject, there were a handful of books, and now there seem to be a handful released every week. My current focus is consciousness. The list I want to read is six books deep and keeps growing. Our history can be reinterpreted, even rewritten, but our consciousness isn’t even fully understood yet. I hope I’m around for the day when I can read a big history nonfiction book looking at the investigations into consciousness and where they ended up, but it’s also pretty exhilarating reading books describing it happen.

Full disclosure: I’m actually sitting in that Poang as I write this wondering whether a chair can multitask and aching to stop writing–I almost gave up several times–and reach for Scientific Culture… It makes me think back to Socrates’ “Apology” (which Darron and I read for one of our early episodes), and the idea of professing wisdom one does not have. Maybe part of the reason I read nonfiction is to avoid writing, which long ago was the beginning of my beautiful illusion, and escape in an unbroken quest for knowledge. My fear is, perhaps always has been, that the act of writing is inherently an act of professing wisdom. The big question then becomes whether I actually have any. The one thing I certainly know is that I read a nice amount of nonfiction. The other thing that I somewhat know is that I would like to write again; I would like my two young sons to see me writing. In a nonfiction book I once read, How We Learn, Stanilas Dehaene talks about the four pillars of education, the first two of which are attention and engagement. Paying attention is no problem, but (outside conversations with Darron) I don’t always reach the engagement level. While my reading has taught me that it is impossible to know everything, so there will always be gaps in my wisdom, maybe writing about the nonfiction I’m reading will actually help me gain just a little bit more. At the very least it will help me track my thoughts on the growing complexity of our past, present, and future.

Poems in Progress: The Middle of Days

The Middle of Days

With a cold, scientific eye turning toward 
The center, whatever it may be, I
Wonder what exactly it’s holding in
This warming stew of complexity. 
         The dog
Owner with his leashed dog–once wolf–at least
Imperfectly prevents the dog from doing
Most things. Everybody may be screaming,
But the sound of tapping keys is less dire,
More a fraying at society’s edges
With an understanding that innocence,
In either tiger or lamb, never 
Existed outside the mind of man,
And even inside it’s perhaps more wired
Than one might initially expect–
Taught, at the very least, and in varied ways.

Really not much different than other
Times, today’s probably more a middle
Than an end. In the area around 
Bethlehem, of course, there are arguments, 
But that slouch seems invariable
In animals, even outside the desert. 
Time is measured beyond 2000 years,
And while vague and troublesome images
Abound, these beasts are but abstractions now;
It’s better to watch closely than transform
Them into monsters: the clouds, computers,
And powerful men–even plagues are not
Guaranteed to be the end. Only one 
Prophecy is theoretically 
Clear: the sun will scorch all the waters off 
Of the earth and shrivel whatever is left 
in one billion years. That’s revelation enough
For now. The rest of the story we’ll have 
To watch unfold and hope we can revise.

-Jeff